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Period Buckskins
Buckskins are worn by historic re-enactors of many periods including the
Neolithic era throughout the world, Renaissance Europe, and America from the Colonial era through the 1880's. For historic re-enacting, it is important to be able to document that both the material and the specific style of clothing were worn during that period.
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Bighorn Sheepskin Dress
by Nancy Fonicello Because of their thin-ness, Bighorn
Sheep skins were considered one of the choice materials to make dresses from
on the northern Plains. They are extremely rare and hard to get nowadays (because the animals are rare
and hard to get). Also particularly special is that all the quills used
for this dress are dyed with natural native dyes (very few quillworkers use
traditional dyes these days). I'm hoping Nancy will write a book on the
subject...
Nancy did everything herself, including the tanning. Here's her
description:
"Upper Missouri style two hide dress made of brain tanned bighorn
sheep, with tails intact. The dress was sewn completely with sinew,
decorated with old stock Bodmer blue pony beads, trade beads and red
and blue trade wool cutouts. The quillwork on the shoulders is
also sinew sewn, with the quills dyed with native dyes of bloodroot,
yellowdock, and horsetail."
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 Beaded
Moccasins
by Robinita
Robinita is a writer, illustrator and beader specializing in Western
Americana. She reproduces and repairs historic items as well as making
beaded guitar straps and the like. Check out her website at: http://home.pacbell.net/robinita/
If you click on the picture it will take you to a much larger version
that shows the pinking on the upper edge. Pinking was commonly done by
the Dene tribes of Canada (related to the Navajo and
Apache).
Buckskin tanned by Matt
Richards
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Quillwork on Dark Braintan
by Pam Fry
A lot of Iroquois and Great Lakes quillwork was done on very dark
brain tan. We've ( Matt
& Michelle Richards) prepared hides for several quillers for
this by either smoking it super dark, or dyeing with black walnut
hulls. The skin used here was smoked.
Pam does custom quillwork. You can contact her at minx47@yahoo.com Or check out her website at http://www.quillwork.net
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Pipe Bags and Mocs
by Richie Taylor
Richie tanned, constructed and beaded the entire set.
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Elk Skin Leggings
by Richie Taylor
Brain tanned elk skin leggings with a one inch wide strip of beadwork
running down each side.
Richie brain tans, teaches tanning and makes custom garments and
accessories. You can see more of his fine work at his
website.
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Blackfoot jacket & Kiowa dress
by Ric Carter & Danneil Juhl
"I (Ric) am wearing a Blackfoot Half Breed style jacket, also
matching beaded trousers that are not shown, and beaded moose hide moccasins.
"Danneil is wearing a Kiowa-type dress, in the style of one on
display in Cody, Wyoming. It has bead work, elk teeth, and dentalium
shell dangles. Her leggings are of the Omaha tribal style, as are the
moccasins. The leggings are decorated with beads, copper cones, and
brass sequins."
You can see more of Ric & Danneil's work at their website: www.geocities.com/waksupi1/UnNamed.html
or check out their auctions on Ebay
(seller name = waksupi).
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Indian Artifact Reproductions and Restorations
by Ric Carter & Danneil Juhl
"I did all the tanning, the construction, and bead work on all the
items. We firmly believe in shoot 'em, skin 'em, eat 'em, tan 'em,
and wear 'em! I first started trying to tan in 1973, when I was just
starting in Buckskinning. My first project was an angus steer hide that
I attempted in a damp basement in the middle of winter. Never did get
that accomplished!
Deerskins
into Buckskins has solved that problem!"
"Danneil's research in primary resources have debunked many long
held beliefs of both ourselves, and many others involved in
re-enacting as to what was available in the West during the fur trade.
She had the good fortune to be at Mark Miller's when George Barth was
visiting, at which time she was taught the method of quill wrapped
horse hair work."
You really should click on this photo and see the full-sized version!
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Pipe Bag and Baby Moccasins
by Penny Thornley
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  Lakota
Baby Carrier with Quillwork
by Chris Ravenshead
"The baby carrier is from the period of time that we
prefer,1860-1880.The Lakota people had a good choice of materials and
colors to do their art. Everything that we make is made using the same
materials and colors (100% cotton or linen thread, or sinew, Italian
seed beads, braintan hides, earth paints...)"
"It seems that aniline dyes were used as soon as they were available
through trade, replacing the indigo and cochenille dyes which were also
available to the Lakota people through trade with other tribes (Mandan,
Hidatsa etc) or with the white traders."
See more of Chris's work at: http://www.geocities.com/wipata
Or email him at: pizpiza@gwtc.net
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 Linda Holley in extremely fine, traditional Cheyenne clothing. Linda makes all of her
Pow-wow garments herself. She brain tans, beads, works silver, as well as many other crafts.
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Linda's dress from a distance.
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 All dolled up Cheyenne style, by Linda Holley The doll is 22 inches tall and uses the finest brain tanned hides to get the look of a real dress the way it lies on a person. The beadwork is 28/o to 16/0. The smallest made in the world. You really should click on the picture to get a more detailed view....its awesome.
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 Crow and Nez Perce horse gear by Linda Holley
"The horse gear is on a real horse. I won The National
Pow-wow competition with this gear. I send these pictures to show you what I am capable of doing and why I am so opinionated. It took years to get a mouth like mine. "
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 Parfleched Cylinder by Ken Smith
"When you tan your own hides, you can finally have fun
and afford to take whole hides to make things and not feel guilty......
This Crow style parfleche cylinder is made from buffalo rawhide and is 21" long. Correctly
made, it has double buckskin fringe (brain tanned, lightly
smoked with punky cotton wood) up to 45" long. The dark epidermis is left
on the inside surface of the rawhide case. After painting and drying, the
rawhide was sized inside and out with prickly pear juice. All lacing holes
were burned thru the rawhide with a hot nail."
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 Chris Hanson
"..these were taken when I applied to
be an extra in "Last of the Mohicans" in 1991 (I think), I
was selected but my job wouldn't allow me off to do it. Center seam
half-leggings and moccasins, quiver (only its strap is braintan with
red wool trim) that I made... I borrowed the wild colored ruffled
shirt from a friend for some color... not exactly camouflage for out
in the field.."
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 Cree Metis jacket circa 1820.
The Metis were the mixed blood descendents
of French trapper/voyageurs and Native Americans in the region north
of the Great Lakes. They combined native and European clothing
styles to create their own distinct and stunning garments. This
jacket was modeled after French military coats. |
 Lotta Rahme's friend in two skin dress. You can visit her website at http://home.swipnet.se/lottastannery. |
 Erin and her daughter Erika Erin's beautiful native style dress is
decorated with elk teeth and porcupine quill-work. Notice the
buckskin doll in the foreground The dress is decorated in size 12 beads, with
cowry shells. It is
reminiscent of a Southern Plains dress from the early reservation period.
Erin makes custom war-shirts, pipe bags, dolls, dresses, knife
sheaths, moccasins, etc. You can contact her at info@nativeamericanvisions.com
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 Quilled knife sheath made by Gypsy Jane. Jane sells her
quill-worked items....check out her website for more details. |
 Michael 'Dirty Shirt' Ryder in buckskin leggings, shirt and jacket of the fur-trade era. Mike tans hundreds of hides a year and is listed in our directory of tanners. |
 John McCoy John's colonial era garb includes
braintanned buckskin moccasins which were typically worn when
traveling off the beaten path. They are an eastern woodlands
center-seam style. |
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